Monday, October 28, 2013

Rajendra Shrestha - The Ideological Architect Behind Federal Socialist Party, Nepal




The following interview took place in December 2012 in Mr. Rajendra Shrestha’s residence in Kathmandu. Mr. Shrestha is regarded as the ideological architect of the recently formed Federal Socialist Party, Nepal; currently, he is its General Secretary. The FSPN was created after many leaders belonging to Nepal’s indigenous groups rebelled and abandoned the Communist Party of Nepal (Unified Marxist Leninist), the third-largest party in the last Constituent Assembly. Below is an excerpt from a longer conversation.
Rajendra Shrestha

On formation of a new party:
Mainstream political parties have not followed a national agenda reflective of the makeup of Nepal as a multi-caste, multi-lingual, multi-cultural, multi-religious with great geographic diversity; with only one cultural group dominating the mainstream parties. Take for example the United Communist Party of Nepal (Maoist), Nepali Congress, and CPN (UML), who were voted by people in 1st, 2nd and 3rd place respectively. In all these parties, the leadership is based on a single caste. For example in UML, party president is Bahun (highest in Hindu caste hierarchy), two Vice Presidents are Bahun, General Secretary is Bahun, and all the three Secretaries are Bahun. After the Rana (an autocratic regime run by the Rana family between 1846 to 1953) period ended, the Shah Kings (the ruling monarchy of modern Nepal until it was abolished in 2006) rose to power. After the Shah regime ended, Nepal became a Bahun regime. Another example of such a lack of diversity in representation is the Nepal Workers Peasants Party, who considers themselves Marxist-Leninists. Observing the makeup of their leadership, however, one may note that the President is Newar, the VP is Newar, the Secretary is Newar and so is the Spokesperson. There are no leaders from other groups besides Newar. Similarly, there are Madeshi parties with only Madeshis represented from the President to the very bottom of the organization. This model of political party will not make our national unity strong. Only when political parties begin reflecting the nations social makeup, will the state too reflect this. It is for this reason that we came to the conclusion that the mainstream political parties will not fulfill the desires of the people and the state, especially after their betrayal in the Constituent Assembly. We concluded that these parties’ time and mandate has expired. We thus rebelled from different political parties and joined to form a new political force that is proportionally inclusive and one that is more reflective of the social makeup of the country. We formed a central standing committee that represents all groups of Nepal. There are five general groups in Nepal. And in our party this is reflected in the leadership. For example, representing indigenous nationalities are Ashok Rai and I; from the Khas community there is Prem Krishna Pathak, who is a VP, and Radha Timilshina, the Vice General Secretary. Similarly, there are Gopal Thakur who is also a VP and Ram Singh Yadav the Secretary, both from the Madeshi community. Representing the Dalit ('untouchables') community is Dil Bahadur Nepali, who is Secretary, and from the Muslin community is R. Ansari, who is also a VP. In this manner, we have tried to represent the national makeup of the country. We will form our organization based on proportional inclusivity. In the bylaws of our organization, we have stated that whatever the population proportion of these five communities is, it will be represented in our organization in the same way. If such representation is not possible in party conventions or district level conventions, we will leave the position vacant for the specific community. In our party there will be a requirement of 33% representation of women. We will leave the position vacant if we cannot find women representatives. After the convention is over, a committee will nominate for the vacant positions. We have worked out our thoughts clearly, mainly on ideological and organizational fronts.

On party expansion, Federalism and ideology:
In the first phase, we were doing our ideological homework.  Currently, in our second phase, we are building and expanding our organization. Ideologically, we have two key concepts: caste liberation (jatiya mukti) through Federalism and class liberation through Socialism. Up to now, the political parties have been saying that class liberation will automatically lead to caste liberation. These parties however, were not able to bring neither class nor caste liberation. We are saying that one does not intersect the other. The two things have to be handled in parallel. If we strive for change, then why can we not bring change to both? In the 240 years since Prithivi Narayan Shah expanded the state, there has been a single identity domination of the State. For example, with the dominance by the Khas group - the language belongs to the Khas group, as is the culture Khas-ized, and even the clothing attire. Not only were the Kings from the Khas community, 35 or 36 prime ministers so far, only Marich Man Singh was not from the Khas community. Looking at these historic facts, there has indeed been Khas caste-based ruling of the State. To go against that caste-based state, we want to have federal states (or provinces). In the central government there should be (sajhadari shasan) equal representation and in the regional levels, there should be self-governance. Shared governance in the centre and self-governance in the province. Hence, we seek the end of single group dominance and argue that federalism should be the way forward. Those in power (mainstream parties), however, take the opposite position. They run the single caste rule and they blame others. In this context, we are obliged to spend a lot of time explaining the situation to the people. We are against geography-based Federalism. Neither are we for administrative-based Federalism. Geographic and administrative Federalism will not liberate from caste oppression (jatiya mukti). We propose identity-based Federalism. An example being Canada, where there exist provinces such as Quebec with a francophone identity, as well as Nunavut, an autonomous territory, based on the identity of the indigenous Inuit who live there. In Nepal we seek autonomous self-governing units on different levels. Where there exist large population groupings, there should exist a provincial-level autonomy. Where there are areas with less population, there should be autonomous jurisdictions. Where there are minorities, marginalized or communities nearing extinction (e.g. the nomadic Rautes), there should be protected areas for them. There will be different kinds and levels of autonomy. This is a Nepali model of Federalism. This model will slowly form into a multi-identity state or plurinational state. Once Nepal becomes plurinational, a Raute group may have an identity-based autonomous area (albeit a small one) and that can develop into a nation. Similarly, a Kusunda (small tribe based in Western Nepal) region will also develop. Maybe it will only be of 500 people, but there will be a nation of Kusundas. These will be internal nations and not independent or sovereign countries. Nepal is in fact many nations within a nation. We have advocated for this kind of new outlook based on authentic features of Nepal, based on the diverse identities that comprise Nepal. Such a system will deliver caste liberation because it will end exploitation and subjugation based on caste. There are those who question the ability of Federalism to end caste-based exploitation. Leaders from the old regime say that identity-based federalism will not work. It will divide the country and start caste-based conflict. They dissolved the CA based on these arguments.

Secondly, we advocate socialism in order for class liberation. There is poverty, lack of education, starvation, lack of health services and unemployment in Nepal. And even today, the level of economic development is very low. Poverty eradication has not been possible. The gap between the higher classes and lower classes is huge. How do you end this class exploitation? Whatever Nepal has achieved since the 2006 uprising, when considering the achievements since, there has been no class liberation. Previously, the King led feudalism. The faces of feudal power have been changing. But in the later stage, semi-feudal capitalists have been in charge of production control. Today the King-led feudalism has collapsed. Socioeconomic system was collapsing earlier on, and the political feudalism has ended after the 2006 revolution. After this revolution, Nepal has entered into capitalism. In capitalism there is an internal conflict between labour and capital. The labour will be exploited. Therefore what we are saying is, Nepal should be free of exploitation from one human to another - that is the kind of society we want to build. The products produced by the country can be owned by all. For example, Guthi (communal ownership by the Newars), communal lands, Kippat (communal ownership of land that used to be practiced by the Kiratis) ñ all will be communally owned. Combining co-operative ownership, private ownership, communal ownership and other kinds of ownership, we want to develop a new model of modern socialism specifically for Nepal. This modern socialism will liberate all kinds of exploitation, especially of labour.

Some question the origins of this social Federalism. It does not exist in America, China, India nor Europe. Yes in the world, the Communists accept Socialism. There is another ideology of Social Democrats. There is also Liberal Democracy. There is Conservatism. But that does not mean we have to follow only what is already practiced in the world? Some say Socialism has failed, lets go with Social Democracy. If we want to follow Social Democracy, then lets join the Nepali Congress, which since 2012 has followed the ideology of Social Democracy. BP Koirala himself was the VP of Social Democrat International. And currently Sher Bahadur Dueba is the VP of SDI. Since 1990 all the parties that have been formed have followed Social Democracy. For example, Gore Bahadur Khapangi formed the Janamukti Party, whose ideology is Social Democracy. There is Mathbir Sing Thapa, who is a Social Democrat. Madehsis created parties, like Upendra Yadavís, are also based on Social Democracy. Nepalis choose the Nepali Congress as the main Social Democratic party because it has advocated Social Democracy for the longest time. Bernstein and Kautsky are credited for starting Social Democracy. If you look at the world, there are many developed countries that have implemented Social Democracy. But in our under-developed country that ideology will not flourish. The most successfully implemented Social Democratic systems are considered to be those in the Scandinavian countries - Norway, Sweden and Denmark. All of these three countries have monarchy. This ideology is based on the model of central governance. According to BP's Social Democracy: firstly there is monarchy and secondly central governance. There is no inclusive democracy, no Social Federalism, proportion-based election but only Westminster democracy - majority government and a minority opposition. That means with social democracy in Nepal’s context, Janjatis (indigenous nationalities), Madeshis, Dalits and women will always be excluded.

Sunday, April 7, 2013

A Poem by Pratap Bal Tamang






Aasyaang – think for yourself!

- by Pratap Bal Tamang
(Translated by Manjushree Thapa1, originally in Tamang language)



Those soles of yours which steer rickshaws
must now steer the country and the universe
Your tireless hands which shove load carts
must raise your own culture and people

Deceived sometimes by religion
and sometimes by your facial features –
seek now the sky of your own sunrise

Seek out feet which will take you to high peaks
You too are a person like others
You too are a citizen – like the others of this country
Give up your foolish sincerity now
alongside your auctioned identity
The country is yours as well
The universe is yours as well
Your rights exist here too

And so
search for your missing self
recall your forgotten history
and ....
and Aasyang –
your son Theba birthed by your young lass:
what should his future be like?
Think – think about this for yourself


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1      This poem is extracted from the book ‘The Country is Yours – Contemporary Nepali Literature’ – translated and introduced by Manjushree Thapa.

2  Aasyang literally means ‘mama’ [mother’s brother(s)] in Tamang language. But it is used to widely to address one w/ respect where there is a ‘kutumba’ (possibility of marriage between families) relation. Aasyang is used similarly to ‘solti.’

Sunday, November 25, 2012

This Country is Yours

Cave, Bāghdwār, 2012
 
 Headwaters of Bagmati River, Bāghdwār, 2012

 
Sabita Poudel’s Bible, Banshighat, one of fourteen squatter settlements along the banks of Bagmati River, 2012

 
Statue of Juddha Shamsher, National Museum of Nepal, 2012


Hat Vendor, near Ratna Park, 2012


Ang Kazi Sherpa, General Secretary, Nepal Federation of Indigenous Nationalities, 2012
 

RamSahay Prasad Yadav,  General Secretary, Madeshi People’s Rights Forum, 2012


Sarita Pariyar,  Samata Foundation, a policy research and advocacy think tank for Dalits (untouchable groups), 2012


Friday Prayers, Jame Mosque, 2012


Bhakti Shah, Human Rights Officer, Blue Diamond Society, organization advocating LGBTI rights, 2012



Sapana Malla Pradhan, President, Forum for Women, Law and Development, 2012


International Convention Centre, where Constituent Assembly met for four years and failed on its mandate to write Nepal's constitution, 2012 


Migrant worker Surya Bahadur Thapa Magar day before leaving for Saudi Arabia, 2012
 

  Museum Attendants Ambika Dhungana and Anju Luitel, National Museum of Nepal, 2012


Kathmandu’s Road Expansion Project, Bansbari, 2012


CK Lal, Columnist and Commentator, 2012


Krishna Bhattachan, Professor, Central Department of Sociology and Anthropology, Tribhuvan University, 2012


Bagmati River, Gokarna, 2012




Artist Statement: This Country is Yours


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Background:

Nepal is going through dramatic transformation. After 239 years, monarchical rule has come to an end. The country witnessed a decade-long Maoist rebellion that resulted in over 16,000 deaths and displaced over 100,000. Various social and political movements, and discourses of equality and justice have heightened. Last May, the elected Constituent Assembly was dissolved after it failed to deliver its mandate of writing Nepal’s constitution after four years of deliberation. Currently, there is contestation on a federal model between forces seeking change and the status quo.


The Project:

This Country is Yours, started in 2012 is a long-term body of work, and is inspired by Robert Frank’s The Americans. The work focuses on Kathmandu and looks at the six social and political movements of Nepal which include: women, Adibasi Janajati (indigenous nationalities), Dalit (untouchable groups), Madeshi (minority groups from southern plains adjoining India), the Lesbian Gay Bisexual Transgender Intersex community and religious minorities. Besides the six movements, I am also photographing on the streets, visiting newly built housing developments, offices of political parties and other places that reflect the social and political vernacular of Nepal. As Frank, I am weaving together pictures of quite disparate and complicated, but intertwined ideas. I am using Bagmati River, which meanders through Kathmandu to thread together the diverse set of images of landscapes, portraits and interiors. In This Country is Yours, I am interested in encapsulating the essence of the social and political transformation of Nepal.

As an artist, I am interested in the intersection of the personal and the political. While my work looks at the social and political transformation of Nepal, it is also a reflection of my own transnational experience between North America and Nepal. The work introspectively looks at the issues of nationalism, transnationalism and the sense of occupying multiple places concurrently. This Country is Yours is about political struggle, imminent liberation and transformation.



Note: My website will be updated in April 2013

Saturday, November 17, 2012

4th Toronto Nepali Film Festival

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TNFF 2011 Volunteers with performers Deepali Lindbloom and Swechchha Pokhrel
A really fun and engaging project that I am involved is Toronto Nepali Film Festival. It is a grassroots organization based in Toronto that was established in 2010 in order to create an international platform for the burgeoning independent Nepali filmmaking industry. Sustained by ticket sales and small business/individual sponsorships, TNFF 2012 attracted 400 audiences.

Filmmaker Julie Bridgham and juror June Chua, TNFF 2010
The fourth Toronto Nepali Film Festival will take place in Toronto on March 8 and 9, 2013. Filmmakers from anywhere in the world can submit films and one does not have to be Nepali. The only criterion is that the film has to pertain to Nepal or Nepalis. Any genres including experimental, shorts, animation and musical can be submitted. This year the film submission deadline is on Nov 23rd, 2012. Filmmakers can either submit films directly in Toronto or in Kathmandu. For more information in Kathmandu, contact Lakshya Dhungana at curator@tnff.ca or 984 321 1109. In Toronto, contact me at curator@tnff.ca. This year’s festival will be juried and programmed by our following three-member jury:

Manjushree Thapa
Manjushree Thapa is a writer from Nepal now living in Canada. She has written two novels, Seasons of Flight and The Tutor of History, a short story collection, Tilled Earth, and four books of non-fiction: The Lives We Have Lost, Forget Kathmandu (shortlisted for the Lettre Ulysses Award), A Boy from Siklis, and Mustang Bhot in Fragments. She has also compiled and translated The Country Is Yours, a collection of stories and poems by forty-nine Nepali writers. Her writing has appeared in New York Times, London Review of Books, Los Angeles Review of Books and Newsweek. www.manjushreethapa.com

Rajee Aryal
Rajee Aryal is from Kathmandu and received her BA in Computer Science and Mathematics in the United States. She worked as a software engineer for nearly a decade, maintaining a private practice in painting, drawing and writing.  Her writings on the importance of Arts and Literature to an individual and the society have been published in the Kathmandu Post.  Rajee is currently pursuing her MFA in Painting and Drawing at the School of the Art Institute of Chicago. Her work has been exhibited at the University of Minnesota, Minneapolis College of Arts and Design and the Sullivan Galleries in Chicago. www.rajeearyal.com

Sharelene Bamboat
Sharlene Bamboat is a Toronto based mixed media artist, working predominantly in film, video and performance. Drawing on queer critique, she takes up narratives of belonging and identification in order to challenge, subvert, question, and play with the categories of the nation, race, ethnicity, gender and desire. Bamboat’s work has exhibited across Canada, Europe, India, Pakistan and the United Kingdom. She is on the programming committee of the Pleasure Dome Film & Video Collective, as well as the programmer for SAVAC (South Asian Visual Arts Centre) in Toronto. www.sharlenebamboat.com

Pravesh Gurung's Nabariyeko Jhari (A Silent Monsoon)
Historically TNFF has received around 50 films each year. In the past we have received films from Canada, France, Germany, Russia, Serbia, Switzerland, USA and Nepal. Approximately 10 films ranging from documentary, animation, short and drama are showcased each year. Some of previously screened films include Bhedako Ko Oon Jasto (In Search of a Song), The Sari Soldiers, Daughters of Everest, Forgive! Forget Not!, In Search of the Riyal, Pooja, Sherpas: The True Heroes of Mount Everest, Buwega Maanatuna (The Spinner of Flights), Journey to Yarsa, KusheeBhaneko (A Thing Called Happiness), Ma Ksuhi Chu (I am Happy) and Buried in Tears. Each year Audience Choice Award and Jurors Choice Award are awarded, and they both carry a monetary prize.

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